Whereas in the cocaine-fueled ’80s Tina Weymouth and Chris Frantz laid down those charmingly juvenile and catchy grooves in the Tom Tom Club, it’s arguable at best as to whether David Byrne, in his own right, has ever really been a “pop artist” at any point. I think we’d all agree that the Talking Heads’ … Continue reading “Further on David Byrne and the Dichotomy of Pop Artist and Originator”